《美声》观后感1000字

《美声》观后感



Drama/剧情

Romance/爱情

Music/爱情

导演 · Director

Paul Weitz

演员 · Cast

Ken Watanabe, Julianne Moore

Christopher Lambert，Olek Krupa

Sebastian Koch，Thorbjørn Harr

Johnny Ortiz，Elsa Zylberstein

Tenoch Huerta，Ryo Kase

Marcos A. Gonzalez

语言 · Language

英语 English

日语 Japanese

秘鲁西班牙语 Peruvian Spanish (Peru)





BEL CANTO combines the unlikely worlds of glamourous Opera events and hostage situations in a dangerous part of the world, juxtaposed by rich and poor. A world-renowned opera singer becomes trapped in a hostage situation when she's invited to perform for a wealthy industrialist in South America, but why was the film so vague, as to deliberately NOT mention which country in South America !? Thanks to my general knowledge of World Flags, Geography and Culture, I was able to deduce on my own that it happened in Peru (watch the film carefully, for a large red/white/red tricoleur national flag in the background during the Freedom Fighters guerilla take over of the mansion!) In this case, the story is more interesting surrounding the Opera Singer, rather than the Opera part being of any major interest [they definitely could have added more Opera pieces to liven the film up!]



《美声》将充满魅力的歌剧演出和人质事件这两个不太可能的世界结合在一起，同时也将富人与穷人的世界一同展示出来。一位世界著名的歌剧演员被邀请为南美一位富有的实业家演出时，她陷入了人质困境，但不知为何电影刻意不提是南美哪个国家，把这个概念模糊化了！？不过因为我对世界国旗、地理和文化的了解，我自己推断出这件事发生在秘鲁（仔细看这部电影，因为在自由战士游击队占领大厦期间，背景中有一面大红/白/红三色国旗！）在这种情况下，比起以歌剧部分为主，这个围绕着歌剧演员所发生的故事更有趣。[我觉得他们本来可以增加更多的歌剧作品使得电影更生动的！]




An interesting story surrounding the event, but they failed to make the audience feel deeply moved by the Opera parts, which are sadly few and far between, so any impact from the actual music is fleeting. Watch the film for yourself and see if you are inclined to agree with me on this or perhaps you'll have a slightly different opinion. I wanted to like it more than I actually did, though it was still quite an interesting film with twists to the story, somehow I was left hoping it would be something more. Hardly a realistic plot to narrate, despite a decent effort from both Watanabe and Moore, it feels like unfinished business.



这是一个围绕着事件本身的有趣故事，但遗憾的是电影里的歌剧部分实在是太少了，因此观众是不会被这些部分所感动的，所以来自音乐的冲击总是稍纵即逝。试试看这部电影吧，看看你是否同意我的观点，或者你会有一点不同的看法。电影比不上我预期中的喜欢，尽管它仍然是一部有趣的电影，故事情节曲折，但不知怎的，我还是希望它能展现出更多的东西。虽然渡边和Moore都付出了相当大的努力，但这电影的情节都显得不真实，感觉就像未完结的故事。




The film feels slightly droll and tawdry in parts, though I enjoyed the idea of the surprising double romance juxtapositions between the Opera Singer and the wealthy Japanese business Investor, and conversely by the Japanese Interpreter (Ryô Kase) and the attractive and sympathetic female Guerrilla fighter (María Mercedes Coroy) ~ but how realistic or likely was that ~ really, and in a hostage situation!? After watching it, I kept thinking, 'What's missing here!?' Director, Paul Weitz dropped the ball on this one. Weitz previous works include ABOUT A BOY, IN GOOD COMPANY, AMERICAN DREAMZ, BEING FLYNN (which had a similarly flat feeling to BEL CANTO), GRANDMA, and the TV Series, MOZART IN THE JUNGLE. Sebastian Koch is great in any film he's in (THE LIVES OF OTHERS, NEVER LOOK AWAY), but he's a somewhat wasted talent here, and Christopher Lambert is a washed-up 80/90s star (HIGHLANDER) still floating around like a bad smell, so he adds little to the film. [5/10]



虽然我喜欢这部电影里双爱情线的设定：歌剧演员和日本商业投资者，日本翻译（Ryô Kase）和迷人而富有同情心的女游击队员（María Mercedes Coroy），但电影在某些方面感觉有点沉闷和俗气，但这里面的情节（里面女主用歌声感动武装分子）到底是有多现实或多大的可能性，真的，在人质的情况下！？看了之后，我一直在想“这里缺什么了！”导演Paul Weitz在这点上做的不足。Paul Weitz以前的作品包括《关于一个男孩》、《大公司小老板》、《美国梦》、《成为弗林》（这些片子都有着和这部电影相似的平淡感），《与外婆同行》，和电视连续剧《丛林中的莫扎特》。Sebastian Koch在他所拍摄的所有电影中都是表现优秀（《窃听风暴》，《无主之作》），但在这里有点浪费他的实力了，Christopher Lambert（《高地人》）是一个八九十年代的过气明星，像臭味一样挥之不去，所以他对电影的贡献少之又少。[我的评分：5/10]